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According to "The Complete Pivot Chord Modulation Course 2026," which of the following is the MOST fundamental characteristic of a pivot chord that enables its effectiveness in transitioning between keys?

In the context of "The Complete Pivot Chord Modulation Course 2026," when modulating from C Major to Eb Major, a chord like G7 could be considered a pivot chord. What is the MOST accurate harmonic reason for this?

tests the practical application of pivot chord identification. In C Major, G7 is the V chord, functioning as the dominant. In Eb Major, G7 is the vii° (leading-tone diminished seventh) chord, which resolves to Ab, the tonic of Eb. Therefore, G7 functions diatonically in both keys, albeit with different roles. Option A is incorrect because G7 is the V in C Major, not the vii°. Option B is incorrect because G7 is not the III chord in Eb Major; that would be Bb. Option D is incorrect because G7 is the V in C Major, not the I. Question: "The Complete Pivot Chord Modulation Course 2026" highlights the importance of smooth voice leading during pivot chord modulations. Which of the following scenarios would represent a compromised voice leading during a modulation, making it less effective?